Damascus Cover is a 2017 espionage film, based on the 1977 Howard Kaplan novel of the same name. The book is the first of four in Kaplan’s The Jerusalem Spy Series. I have not read the book. There are a few confusing scenes, but it can be difficult to boil 321 pages into a 90-minute screenplay.
Mossad officer Ari Ben-Sion, working undercover as German businessman Hans Hoffmann in Berlin in 1989, is recalled and ordered to Damascus to help a Jewish family flee the country. This turns out not to be his actual mission, which is revealed to him only once he is on the ground in Syria. I am not sure why he was not just briefed with the real mission so he could properly prepare and train.
There is, of course, the required romantic entanglement –
this with an American photojournalist.
There is also the required double-crossing and changes of allegiance as the story unfolds. Hoffman/Ben-Sion adjusts his operation to exfiltrate a Syrian scientist and quickly finds himself in way over his head with lessening chances of success.
I will not describe what happen so as not to spoil it for
any of you who wish to see it. You will have to watch it to the very end – I was
surprised.
The movie stars Jonathan Rhys Meyers, Olivia Thirlby, Jürgen Prochnow, Igal Naor, Navid Negahban and John Hurt (in his final role).
I must compliment the producers for the excellent attention to detail when it comes to replicating the country of Syria and the city of Damascus in the Moroccan countryside and city of Casablanca, even down to the accurate Damascus street signs, including shari’ madhat basha (A Street Called Straight) and the Hamidiyah suq.
The movie received mixed reviews. I enjoyed it, not only because it took me back to my posting at the US Embassy in Damascus, but because it was a good story not requiring too much suspension of disbelief (except maybe at the very end).